FORMINX STORY
  THE BROADCAST
  RECONSTRUCTION
  DAYS OF '36
  THE TRAVELLING PLAYERS
  THE HUNTERS
  MEGALEXANDROS
  ONE VILLAGE, ONE VILLAGER
  ATHENS, RETURN TO THE ACROPOLIS
  VOYAGE TO CYTHERA
  THE BEE-KEEPER
  LANDSCAPE IN THE MIST
  THE SUSPENDED STEP OF THE STORK
  ULYSSE'S GAZE
  ETERNITY AND A DAY
  TRILOGY 1 : THE WEEPING MEADOW



«The dictatorship is embodied in the formal structure of the film. Imposed silence was one of the conditions under which we worked. The film is... made in such a way that the spectator realizes that censorship is involved.»

Theo Angelopoulos

 

DAYS OF '36
(Greece, 1972, 110 minutes, colour)

Directed by : Theo Angelopoulos
Written by :
Theo Angelopoulos, Petros Markaris, Thanassis Valtinos and Stratis Karras
Cinematography by : Giorgos Arvanitis
Production design by : Mikes Karapiperis
Music by : Giorgos Papastefanou
Sound by : Thanassis Arvanitis
Edited by : Vassilis Syropoulos
Produced by : Giorgos Papalios
With : Giorgos Kiritsis (Lawyer), Christoforos Chimaras (Minister), Takis Doukakos (Chief of Police), Kostas Pavlou (Sofianos), Petros Zarkadis (Lukas Petros), Christophoros Nezer (Prison Warden), Vassilis Tsaglos (Guard), Yannis Kandilas (Kreezis), Thanos Grammenos (Sofianos' brother)

SYNOPSIS
A trade unionist is assassinated at a workers' rally and a former police informer, Sofianos, is arrested and charged with the murder. The accused, a greatly troubled personage, currently out on probation, an ex drug-trafficker is being used to infiltrate and bring down his old accomplices. He is visited in prison by a Conservative Member of Parliament with whom he has a homosexual relationship. Using a smuggled gun, the prisoner takes the politician hostage creating an embarrassing and increasingly absurd scandal for the authorities. The government find themselves in a delicate predicament. If they do not free the hostage they will lose the support of the Conservatives and if they do the support of the democrats.. Forced to deal with a situation they cannot control and when «reason» and threats fail, they attempt to dispose of Sofianos, at first clumsily (a botched attempt to poison the prisoner), then, finally, with the devastating accuracy of a bullet as they send in a sharpshooter to finish the job. Order is finally restored but in the process two facts have emerged that reflect Angelopoulos' view of Greek history as portrayed in this film. Firstly that the government was so weak and corrupt that the actions of one person almost brought it down and secondly that it was so incompetent that it could solve a problem only through murder.